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Fitzmaurice Voicework

Associate Teachers


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ASSOCIATE TEACHERS

All Associate Teachers of Fitzmaurice Voicework have completed the Certification Program led by Catherine Fitzmaurice and the Master Teachers, and have from 1 to 15 years experience teaching the work.

Please search alphabetically by last name.

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KIRBY WAHL (05)
 
kirbyAssistant Professor
Elon University
Department of Theatre
Elon NC
tel: 336-278-5684
e: kwahl@elon.edu

Kirby Wahl is an actor, director, voice/text/dialect coach, and fight director. He previously taught acting, voice, and movement courses at the University of Toledo where he also recently performed as Richard in Richard lll. He has also studied with Patsy Rodenburg and Richard Armstrong, and at the London Academy of Music and Dramatic Art. His professional acting credits include performances with the Riverside Shakespeare Company, Brooklyn Academy of Music, Arizona Theatre Company, Forestburgh Playhouse, Allenberry Playhouse, Illinois Shakespeare Festival, and Repertory Theatre of St. Louis, among others. He has also traveled with numerous tours, including the national tour of Phantom of the Opera. He currently resides with his wife and two sons in Greensboro NC.

MFA University of Arizona-Tucson; BFA Webster University.


ASHLEY WARD (02)
 
ashleyInstructor
American InterContinental University
Los Angeles CA
tel: 310-617-0725
e: awardvoice@yahoo.com

Ashley Ward has also taught at the University of California-Irvine, and as the voice specialist at South Coast Repertory's Youth and Teen Conservatory program. She is an actress (sometimes credited as Ashley Fuller) and has developed a one-woman show based on the life of Dorothy Parker to be staged in Los Angeles. Favorite roles include Olivia in Twelfth Night, Isabella in Measure for Measure, Fanny in On the Verge, and Marisol in Marisol. Ashley is a member of Screen Actors Guild. She is also the founder and director of The Haven Theatre Company in Los Angeles.

MFA University of California-Irvine; BA California State University-Stanislaus.


LYNN WATSON (98)
 
lynnAssociate Professor, Chair
University of Maryland-Baltimore County
Department of Theatre
1000 Hilltop Circle
Baltimore MD 21250
tel: 410-455-2892
fax: 410-455-1046
e: jwatson@umbc.edu
web: http://www.umbc.edu/theatre/faq/dept_bios.html

Lynn Watson presented a workshop at the 2005 VASTA conference in Scotland, and also presented at the Voice Foundation's Voice Symposium in June 2003--"Fitzmaurice Voicework for Actors." She previously presented the work to speech pathologists in Maryland. For the past four seasons she has consulted on voice, speech, dialects, and text at Arena Stage in Washington DC. The Washington Post said of The Misanthrope: "beautifully spoken . . . the production boasts the level of the classics one used to encounter in places like the Stratford Festival in Ontario." Other credits include four seasons at South Coast Repertory, A.C.T. in San Francisco, Mark Taper Forum, Maryland Stage Company, and private consultation for stage, film, and television. Her acting credits include Off-Broadway in New York at the American Place Theatre. She has also performed at the Los Angeles Theatre Center, toured nationally, and played leading classical roles in regional theatre. Her writing and articles appear in the Voice and Speech Review, The Complete Voice and Speech Workout, the survey Teaching Breathing, and the online magazine Acting Now. She is an associate editor for the International Dialects of English Archive (www.ku.edu/-idea), and previously taught acting and MFA voice classes at University of California-Irvine.

MFA University of California-Irvine; BFA Ohio University.


WALTON WILSON (98)
 
waltonAssociate Professor, Head of Voice and Speech
Associate Chair, Acting Program
Yale School of Drama
P.O. Box 208244
New Haven CT 06520
tel: 203-432-8811
fax: 203-432-9668
e: walton.wilson@yale.edu
web: www.yale.edu/drama
 
Walton Wilson is also a Designated Linklater Voice Teacher and has also studied voice with Richard Armstrong, Meredith Monk, Patsy Rodenburg, and various members of the Roy Hart Theatre. He has served as vocal coach for productions on Broadway, Off- and Off-Off-Broadway, and at major regional theatres including Actors Theatre of Louisville, Denver Center Theatre, McCarter Theatre, Shakespeare & Company, and Yale Rep, working on the world premieres of Moises Kaufman's The Laramie Project, Eric Begosian's Humpty Dumpty, Martha Clarke's Endangered Species, and David Rabe's The Black Monk. He has taught in numerous actor training programs, including NYU/ETW, ART's Institute, National Theatre Institute, and Southern Methodist University, as well as internationally, and has led workshops for community activists and prison inmates. His acting credits include productions Off-Broadway and in regional theatres and Shakespeare festivals across the country.

BFA Southern Methodist University.


KATE WISNIEWSKI (02)
 
katewInstructor, Associate Partner
Freehold Studio/Theatre Lab
1525 10th Ave
Seattle WA 98122
tel: 206-323-7499
e: kwisniewski@earthlink.net
www.freeholdtheatre.org
 
Kate Wisniewski also coaches voice, speech, and dialects privately in Seattle. As an actor Kate has appeared throughout the Seattle area and at the American Repertory Theatre in Cambridge MA where she first studied Fitzmaurice Voicework with Nancy Houfek.

Graduate Diploma American Repertory Theatre Institute at Harvard/Moscow Art Theatre; BA Millersville State University.


LOU ANNE WRIGHT (04)
 
louanneAssociate Professor
University of Wyoming
Department of Theatre and Dance
Center for the Fine Arts
P.O. Box 3951
Laramie WY 82071
tel: 307-766-2425
fax: 307-766-2197
e: lawright@uwyo.edu
 
Lou Anne Wright is an actor, dialect coach, and professor of acting, voice, speech, dialects, and theatre history, and a writer. She has served as voice/dialect coach for such companies as the Denver Center for the Performing Arts, Playmakers Repertory, the Shadow Theatre, and the West Coast Ensemble. Lou Anne was seen on television as Judy Shepard in HBO's The Laramie Project and she has most recently performed on stage in The Last Night of Ballyhoo and Last Summer at Bluefish Cove, both in Denver. As a playwright, she authored the play Kabuki Medea which won the Jefferson Award for Best Production in San Francisco. It was also produced at the Kennedy Center. She is co-author of PLAYWRITING: FROM FORMULA TO FORM published by Harcourt Brace and is currently working on SETTING THE STAGE, a new Introduction to Theatre book for Wadsworth Publishing. Her screenwriting credits include the film adaptation of Eudora Welty's The Hitch-Hikers, which featured Patty Duke and Richard Hatch (and for which she was nominated for the Directors Guild of America's Lillian Gish award.)

MFA National Theatre Conservatory/Denver Center for the Performing Arts; BA California State University-Northridge

 

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